SEEING RED

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My mom hated to have her hair touched. It prompted her to enroll in beauty school for the sole purpose of learning the best way to style and care for her own thick, black, naturally curly locks. I still have the leather bound 1930s textbook from her beauty school days that she abandoned upon deciding to coil her hair and pin it atop her head like a crown of glory. It was very attractive, even enviable, and she never fashioned her hair differently from then on until the day she died, decades later, three weeks shy of age ninety-three

     I suppose that’s why it came as no surprise in the summer of 1958 — when I was still eleven with shades of natural auburn and blonde streaking throughout my wispy thin, straight as straw, mostly mousey brown hair — that mom suggested I choose one of the three colors and dye it.

     I chose auburn; Clairol’s Sparkling Sherry to be exact. It perfectly matched my auburn undertones and duplicated the color my older sister, Sue, chose to dye her hair a year earlier. It cost 85¢ for a glass bottle of the dye and another 25¢ for a bottle of peroxide. You mixed them before applying, waited 45 minutes, and then washed the residue out with Halo shampoo before rinsing with diluted Heinz red cider vinegar.

     “The dye coats each strand. It doubles the thickness of your hair,” Mom promised.

     “Do I still use vinegar?” I questioned, even though I already knew it untangled wet hair and kept it glossy.

     “It prevents the color from looking unnatural.”

     That fall I began the seventh grade as a redhead, just as Sue had the year before me. Whenever anyone asked us why our brother, Michael, had black hair we’d confess, “He dyes his.”

     The new school was larger with thousands of students. None of the kids I knew in elementary were in my classes, nor friends of mine in junior high. Consequently, everyone  I met from then and since has known me only as a redhead.

     That includes me.

     Because, even though Clariol has changed the names of their colors, I’ve remained true to those streaks of natural auburn chosen as a child and have never sought to discover the adult dominant color of my hair. Through junior and senior high and college, a stint as a kosher camp drama counselor, New York City careers, a Florida business,  and wherever I traveled or settled on living — once every month I’ve found a place to be alone for an hour for the solitary purpose of denial in dyeing.

     I’m 70 now. I have never let my hair grow out, but if I did, it would be an all-over silver — the same as it is at my temples — which I leave untouched so the age of my face won’t drastically contrast my crown, sporting a hairstyle I haven’t changed in decades.

     I am my mother’s daughter.

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Marguerite Quantaine © 2016
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Copyright by Marguerite Quantaine © 2016
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Marguerite Quantaine is an essayist and author.
Her novel, Imogene’s Eloise : Inspired by a true-love story
is available on AMAZON, in paperback and Kindle.
Please choose LOOK INSIDE for a FREE
read of several chapters.

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A RARE AND VALUABLE COMMODITY

FranCat

FranCat


While watching a rerun of The Antiques Roadshow broadcasting from Tulsa, I got a message from my friend, Frances Walker Phipps. It was sent to me from infinity and beyond, but arrived just fine. No dropped call.
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     Frances was a reporter for several Connecticut newspapers, the antiques columnist for The New York Times Connecticut Weekly, the author of several definitive reference books on American antiques and colonial kitchens, and the founder of The Connecticut Antiques Show (1973), touted as one of the five most prestigious such events in the nation. Renown as a barracuda among a tribe of elite dealers who vied for the chance to earn a space in her much envied function, Frances determined what could, or could not be displayed on the show floor; what was, or was not an authentic antique. Her strict vetting of merchandise on preview night was surreptitiously referred to as the Phipps ‘reign of terror’.
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     The Tulsa Roadshow featured a woman who presented a folk art doll for discovery. I don’t own a folk art doll, but I do have a folk art cat that Frances gave me from her private collection of antiques dating from the 17th and 18th century, like most of the chairs, tables, cupboards, beds, books and decorations in her Haddam, Connecticut home. Hand stitched from swatches of forget-me-not floral broadcloth and twisted black yarn to form it’s Queen Anne stylized eyes, nose, mouth, whiskers, and outline of front legs with four toes, the coveted cat is in remarkable condition, even with the two small tears near it’s right eye, and drops of dried blood near it’s heart. I suspect the cat is older and rarer than the Roadshow doll appraised at fifteen hundred dollars.
     The assessment made me smile — not for the price it garnered, but for what Frances said in my head: 
     “Bull.”
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     Frances was once an attractive woman with thick, wavy hair, a bright smile, a great mind, and a fervor for the preservation of Colonial Americana. 
     But by the time we first met she’d matured into an unpretentious, stout woman with a big bust, a fierce wit, an untamed tongue, rumpled clothes, a bad wig pulled down like a wool cap onto her head, and a folded over Kleenex stuffed behind the right lens of her black horn-rimmed classes to hide a socket ravaged by a malignant tumor.
     We were introduced by her ex, Midgie Donaldson, on opening night of the Connecticut Antiques Show in 1975 when I was the editor of a fledgling magazine, The Antiquarian, and she was the highly respected authority wielding power and influence over dealers selling to the rich and famous. 
     “So, you came here thinking I’d teach you all about antiques. Is that it?” she proposed.
     “No-o,” I counterpointed. “But I heard you have an eye for it.” 
     We bonded instantaneously.
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     Back then, those of us in love with another woman conducted our lives without a need for labels, or social acceptance. One simply knew by the level of trust demonstrated and access allowed who was, or wasn’t ‘in the life’ — and knowing was enough to make you relax your behavior to match the trust and respect given, or strengthen your guard wherever zealots loomed. The antiques trade has always had its share of both, but nothing interferes with doing business.
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     One summer morning a year later my Elizabeth accepted a lunch invitation to Frances’ beach house in Westport, about 90 minutes from our Huntington, NY home. After we’d driven the 29 miles of the Long Island Expressway, crossed over the Throgs Neck Bridge, exited onto I-95 and traveled another 30 miles towards Stamford, I glanced at the telephone number to call in case we got lost in Westport.
     “This isn’t a Connecticut number,” I noted while pulling an Esso map out of the glove box to search the index.
     “Whadaya mean?”
     “This area code is for Westport, Massachusetts.”
     “So?”
     “So? So? It’s another 150 miles down the road.”
     “Oh, like I was supposed to know that?”
     “You could have asked.”
     “I didn’t want to appear stupid.”
     “Oh, sure. I get it. As if accepting a lunch date in the morning from someone 250 miles from Huntington registered as smart. Uh-huh.”
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     It was after four when we finally dragged ourselves through the door of the beach house, but before I could offer an explanation, or apology, Frances hurled a cotton stuffed calico cat at me and smirked, “That’s for making the crack about my ‘eye’ for antiques!” 
     “Oh yeah?” I sputtered. “Well, then I’m keeping this ratty old rag cat!”
     “As intended, my dear. As intended.”
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     In April of 1986, on the morning of the Connecticut Spring Antiques Show evening opening, we didn’t find Frances in her Manager Only curtained cubbyhole at the back of the Hartford Armory auditorium.
     “She might still be at the hospital,” offered Midgie. “She’s not due here until noon.” 
     But a feeling inside me forewarned otherwise, so we drove down to the New Britain hospital and requested her room number. 
     “You can’t see her right now,” a nurse told us, visibly shaken. “She was accidentally given a double dose of chemo and the doctors are with her now.”
     “Will you tell her we’re here?”
     “Who shall I say . . .”
     “Marge and Liz. Tell her we’re right here waiting for her.”
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     Hours later, after the 3 p.m. shift change, a different nurse asked, “You’re here to see someone?” 
     “Frances Phipps.”
     “Are you family?”
     “No. Friends.”
     “I’m sorry, but only family members are allowed to see, or inquire about Miss Phipps. Hospital rules.”
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     By the time we left Hartford that night there was still no word from Frances. The gala went off without a hitch. It was well past midnight when we finally got home, and nearly noon before we heard the news that Frances had passed away. The obituary said she died of a heart attack at 62.
     Bull.
francatback
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     Here’s the thing: Our existence evolves through exchanges, most of it involving how we choose to spend our time in pursuit of whom, or on what we place the greatest value. 
     Just as the woman at The Antiques Roadshow planned to sell her ancestor’s rag doll in order to ensure her present, so did Frances Phipps plan on preserving her 200 year old calico cat in order to ensure her memory.
     Ultimately, life is calculated, not by what we let go of from our wallets, but by what we hang onto in our hearts.

     Rag doll: $1,500.00
     Rag Cat: Priceless.

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Copyright Marguerite Quantaine © 2016
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I’m all eyes and heart.

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Marguerite Quantaine is an essayist and author.
Her novel, Imogene’s Eloise : Inspired by a true-love story
is available on AMAZON, in paperback and Kindle. Please choose LOOK INSIDE
For a free read of several chapters before buying.
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ALMOST PARADISE

Marguerite Quantaine

Marguerite Quantaine


During the 27 years we’ve lived in Florida, we haven’t made any in-the-life friends. 
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It’s not that ‘our kind’ doesn’t exist in small towns here. (We do.) And it’s not that we’re ashamed. (We aren’t.)
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It’s that, excluding most metro areas, if you (a) want the police to respond to your call for help in a timely manner, and (b) you want to receive the finest healthcare when you’re injured, or sick, and (c) you want to keep your pets out of harms way, and (d) you want to keep your car from being vandalized, and (e) you want to live in an area where the neighborhood watch looks out for your home, and (f) you want the person working on your teeth to be gentle, and (h) you want to be able to make a living, and (i) you want to avoid having your license plate recorded when attending a Pride event — then you don’t risk outing others whom you think are kindred spirits by drawing attention to their personal lives, even in an effort to make friends.
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That’s why The Pulse in Orlando was a Mecca for resident and visiting gays alike. It provided a safe haven for fulfilling the need to feel an instant camaraderie accompanying the demonstrative joy of others.
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Truth be told, we’ve never actually been to a nightclub because, while there was a smattering of NYC lesbian bars during the 60s when we were young, the mixed genders of nowadays nightclubs with  multiple rooms, live bands, separate stages, decks and professional disc jockeys didn’t exist.
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What we did have (aside from a Seebring juke box at one-gender venues) were summertime tea dances at Cherry Grove and the Pines on Fire Island, mostly male, but with a sufficient showing of Coppertoned women to complement the communal glee being shared as disco music blared, connecting us to every outdoor dance floor.
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Nearly fifty years have past. You wouldn’t think it’s now imperative to note, in March, Governor Rick Scott’s HB 401 bill died in committee. 
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Had HB 401 passed it would have allowed doctors, nurses, healthcare providers, and hospitals to refuse treatment to lesbians and gays without fear of facing liability in Florida courts. Based on religious freedom to discriminate, HB 401 was to have taken effect on July 1, 2016.
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As a resident of Florida who’s been subjected to discrimination, misdiagnosed, nearly killed and double billed for it, I hesitate to ever seek help here.
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Which begs the question: Why do we live in Mother Nature’s perfect place among such people?
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It’s because we believe Orlando’s healthcare providers and facilities are better — so very much better — than disingenuous leaders and sanctimonious legislators.
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And because we believe the inherent good in people will always outweigh the acquired bad. 
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And because we believe when vice endeavors to infiltrate, virtue counters with massive resistance. 
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And because we believe, if deceit sits down on the dais, multitudes will arise to defy demagoguery.
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And, too, it’s because we know we shall weep before we sleep tonight, and intermittently weep again for weeks to come, or maybe months, or years — or through however many broken hearts it takes to prevail.
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But love will triumph.
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Because it must.

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Marguerite Quantaine is an essayist and novelist.

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IMOGENE’S ELOISE: Inspired by a true story
by Marguerite Quantaine

PANTS ON FIRE

Marguerite Quantaine

Marguerite Quantaine


I’ve been lying to my partner about something-or-other for 45 years. I consider it an essential ingredient in the recipe of happily ever after.
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Oh sure, I know lying has been a ‘don’t’ on the Top 10 for nearly 58 centuries, and (no doubt) good books will be thumped in outrage at me for being an avowed fabricator.
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No matter. I maintain that the best way to stay hopelessly devoted is to — subjectively and selectively — lie.
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Case in point: Regardless of the fact that my much better half has enough clothes to restock the shelves of a small boutique, she doesn’t wear 95% of her wardrobe. Instead, she dons the same outfits, day in and out for an average of 2 years running, because each shirt, pair of slacks, sweater, sweatshirt, pajama top, tee, and jacket in a revolving variety rack of, sa-a-ay, 2 garments per category, is proclaimed to be her favorite.
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This is where bleach becomes my buddy.
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I accidentally splash bleach, or spill bleach, or mistake a spray bottle of Soft Scrub for Shout, or add Clorox instead of Downy to the rinse-cycle of any garment (including my own) that I cannot stand to look at for a tub-of-water longer.
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In fact, hearing her scream from the laundry room “You idiot!” is like music to my ears and triumph to my eyes.
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Saving her from potential harm (like when she insists it’s safe to clean the car mats lying on the ground in the pouring rain because she’s using a dry/wet vacuum) requires more creative lying.
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That’s where a commercial artist comes in handy. Because almost all interviews written about her favorite celebrities can be (1) altered to reflect safer choices made on any given topic, and can be (2) printed out, complete with stock photos. It gives me comfort to know she’ll always listen to the advice of Doris Day, Angie Dickinson, and Cher. (Bless their little borrowed hearts.)
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There was a time when too many knives presented a challenge here because she can’t grasp the idea that every good cook has her own set of knives, knowing the size, weight, and feel of each in her hand, it’s purpose and degree of sharpness for meat, vegetable, bread and bone.
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But my darling has a dire need to buy every plastic handled five-and-dime knife at garage sales that “look just like” my wood handled German and Japanese cutlery. (They don’t. Not even close.)
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So, I filled a small kitchen drawer with her knockoffs. Now, every time she comes home with a knife I act excited, steal a kiss, and quietly deposit the knife in the garbage. If she asks about the newbies, I point her towards the drawer.
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Speaking of vegetables (as in overbuying them), that’s what the lidded bowl on my Kitchen Aide mixer hides. So far, the neighbors haven’t figured out who leaves fresh veggies in their mailbox late at night — but no one’s companied either.
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Except for her.
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“I wish someone would leave me free tomatoes in our mailbox sometime,” she said.
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“How come we never get left any free Chiquitas?” she asked.
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“Apparently the fruit fairy doesn’t like you,” she decided.
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“Me?” I dare. “Not you?”
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“Don’t be silly. Everyone likes me.”
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True.
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In all fairness, I did once sneak an apple into our mailbox. She bemoaned that it wasn’t a donut.
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Inanimate objects are also factored in. Semiannually, she’ll want tickets to an Oldies But Goodies concert advertised weeks in advance of the event. I’ll squeeze her hand, promise we’ll go, and hurry off to write the concert on the calendar as a reminder before returning to her with a treat — a dish of ice cream, cookie, popcorn, or such.
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But I never record the event because (a) she invariably forgets about it, and (b) it only took our attending one of those dreadful $40.00 per ticket concerts to teach me to … well … lie.
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And so it goes.
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Personally, I don’t understand those who always need to be right when an argument erupts, or prove a point, or stand on principle, or choose to hold others to a higher standard of truthfulness than they practice themselves, or insist that communication is the key to a good marriage.
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Because, while she and I are seldom diametrically opposed on any issue, if she isn’t going to budge, I’ll always acquiesce, convinced that — unless conversation is salted with sincerity, peppered with levity, and garnished with good intentions — it isn’t communication at all.
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It’s just babel.
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That being said, I must confess it wasn’t true when I wrote, “I’ve been lying to my partner about something-or-other for 45 years.”
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I’ve actually been lying to her about something-or-other for  45 years, 11 months, and 4 days.
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And for this I am, truly, grateful.
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IMOGENE’S ELOISE: Inspired by a true-love story
by Marguerite Quantaine
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Every Woman Should Run For Public Office Once Or Twice

I'll Get That Vote Yet!

I’ll Get That Vote Yet!


“There’s never been a colored, a Jew, a Democrat, a Yankee, a queer, or a woman as Mayor of this town and there never will be!”

I glanced up from my notes to study the odd little man in his Oshkosh overalls, Penny’s plaid shirt, knee-high Frye boots and Tom Mix hat.

His cohorts called him Red. I don’t know if he was christened that, or nicknamed for the color of his neck — but it certainly didn’t stem from embarrassment by him, or any of the men at that district Republican Committee meeting rewarding him with whistles and a rousing applause as I sat alone in the far, back corner of the small auditorium, recording the  forum as a favor to the (absent) president of our local Republican club.

And, all I could think was —  what luck!

No, not because I was a committee member and could object. I wasn’t.

But I was born in the small town that hosted the first Republican convention, “Here, under the oaks, July 6, 1854” where an obscure granite rock with a bruised bronze plague once sat on a tiny patch of treeless grass, three short blocks from where I spent my most misinformative years.

Back then, the rites of passage included adopting both the religion and political party affiliation of your parents. My parents were protestant and Republican. I’m neither, but during my juvenescence, I feigned being both.

The reality is, religion and politics have never been roadblocks for me. I tend to accept that we’re all going to believe what we need to believe in order to survive our slippery slope slide from here into hereafter.

However, the pretense of politics alarms me, and is the reason I encourage every woman to run for public office.

I have.

It’s easier than you think, and more satisfying than you dare imagine.

Votes for Women

Votes for Women

After filling out the simple forms with the Americanized spelling of my last name and paying a nominal filing fee, I learned you aren’t required to raise money, put up signs, hand out cards, take out ads, stand on street corners in inclement weather inhaling exhaust while  waving to commuters — or even to serve if elected.

Which I did not do.

Instead, I entered the citywide race for Mayor because I could.

And, because the Mayor of our town is in charge of the police force that was alleged to have created computer software profiling every resident according to age, gender, race, religion, political affiliation, marital status and coded lifestyle.

I ran because the Mayor had the power to veto city council legislation.

I ran because the personal voting records of all residents, their addresses, and phone numbers are made available to campaign camps via their candidate.

I ran because it’s possible for local elected officials to access sensitive census information about their neighbors.

I ran because I’d be invited to all candidate gatherings, lunches, forums, debates, and media interviews with equal time to speak, followed by unlimited time to answer questions. Places where I could tell the people about the alleged profiling, the veto capability, the reality of records, and the potential for both discrimination and profiteering to detriment of the electorate should the (professed private) census information be misused by unscrupulous officials with a personal agenda to advance.

Liberty+scales
But primarily, I ran because I was told:
“You cannot.”
“And yet, I can.”
“You can’t run as a Republican.”
“Unless I’m registered as a Republican. Then I can.”
“It’s a nonpartisan race, so no one will know.”
“Unless it’s leaked.”
“You won’t have the backing of the Republican Party.”

Aye, there’s the sub rosa.

Most of us like to think we’re supporting a candidate who shares our convictions and has our best interests in mind.

Go on.

Run for office.

That’s when you learn it’s the RNC (Republican National Committee), the DNC (Democratic National Committee), and corporate funding that dictates the conversation, feeds the media, and virtually runs this country in a Charlie-McCarthy-meet-Jerry-Mahoney-manner, where those connected contingents funnel all the money solicited from donors into the war chests of the candidates they’ve preselected to win.

I kid you not.

The nominees of both the RNC and DNC sign a Party platform pledge to toe the Party line, in order to receive the financial clout of the RNC, or DNC, because the chances of winning an election for those who don’t sign — even on a local level — are zip, zero, nada, and nil.

And, get this: Those war chests can be used to funnel funds for phone banks to robo-call citizens who have a voting record history of going to the polls on odd, even, and ‘off’ years.

They can funnel ‘independent’ surveys with contrived questions for the ostensible purpose of suggesting nonexistent improprieties practiced by the opposing party.

They can funnel for spamming newspapers with testimonial templates to praise one candidate, or deride the other, or push an agenda, or create confusion, or imply majority support, with each letter signed and sent by a party faithful — so it appears to the public as an original thought and legitimate concern rather than a parroted message.

They can funnel for business owners to be visited by party members offering recommendations on which candidates to support, along with a friendly suggestion of how valuable it is to have a customer base of political party members.

They can funnel for whisper campaigns, leaked to small presses, controlled by deep pocket party pleasers, linked to online sites willing to post the disinformation.

And, get this, too: The strategies for beating your opponent are all recorded (or was when I ran) in an instruction manual detailing how to sway an election to a preferred candidate with news stories clouded by opinion. Where inserting the words of ‘could, might, rumored, alleged, contend, claim, suppose, may’ and ‘if” in news coverage to replace ‘is, are’ and ‘will’ as indicators of truth. Where technical corrections to falsehoods are buried in places no one reads. Where editorials aren’t required to be factual.

FlagHat
This old maxim still holds true:
The most dangerous person in the world is the one who can’t be bought.

That’s where running for political office serves as the American dream. Because running to lose by telling the unmitigated truth assures that your voice will be heard.

And isn’t that what we all want? To be heard.

When I ran for office, my words were so well heard — by the time election day rolled around they’d been stolen and used to further the campaigns of others running for even higher offices.

So, ladies, that’s how you make change happen. Not by sitting behind a safe screen, typing out rhetoric about what’s wrong with the country and who’s to blame. And, not by writing a check, convinced your donation will contribute to making this nation better and stronger.

Instead, run for office.

Attend every avenue available for you to get up and speak. Recognize that freedom of speech for the priceless gift it is. Say what’s in your heart. Ignore naysayers. Concentrate on connecting with real people. And experience the exhilaration that comes from putting your mouth where your mind is.

In the final analysis, the financial reports required to be filed by all candidates indicated the incumbent spent around one hundred and twenty-five dollars per ballot cast in favor of him to wage his campaign against me.

I spent next to zero, zip, nada, and nil.

I lost by less than 75 votes.

No, not once.

Twice.

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Copyright by Marguerite Quantaine, October 8, 2015


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I’m all eyes and heart.

Marguerite Quantaine is an essayist and author.
Her book, Imogene’s Eloise : Inspired by a true-love story
is available AMAZON, in paperback , and on Kindle.

“… crisp…clever…unique…saucy humor…delicious writing…fabulous…funny…historically accurate…genius debut… This will be a classic; buy it now.”
SHE Magazine Reviews IMOGENE’S ELOISE: Inspired by a true-love

SEE YA LATER ALLIGATOR

Author of  Imogene's Eloise

Author of
Imogene’s Eloise


The first time I spotted the alligator in the murky waters of a man-made lake framing luxurious condos on one side and a city park on the other, I worried aloud for the safety of the mallards, Muscovy, and white, waddling ducks, the snapping turtles, giant goldfish, flock of pristine egrets, and wading blue heron, making their homes in the marshes there.

“And, the kids who play in this park,” my sweetheart added.

I didn’t respond. Not that I would ever want a person of any age to be harmed by an alligator, but there was no imminent danger in that. Only the nature-preying-nature lurked.

The lake is more for show and tell by realtors looking to justify pricey units with a view. There’s no swimming allowed, and since it’s illegal to feed wildlife in Florida outside of a reserve, observing nature in this park is mostly done from a deck built 15 feet above, and stretching 20 feet out over the water, where picnic tables are placed for brown baggers wondering what so many thieving sea gulls are doing there, some sixty miles inland. 

At first, all I saw were the mammoth marble shaped alligator eyes, trolling the lake’s surface, leaving innocent ripples of water in his wake.

“Or,” she said when I pointed out the marauding eyeballs, “it’s a submarine.”

“No, hon, I’m pretty certain it’s an alligator.”

“But, I’m thinking —  if it is a submarine…”

“It’s a gator, okay?”

“I’m just saying what it could be,” she persists, as the tire tracks of its back emerges. “Or, maybe one in camouflage to look like an alligator, so no one would suspect.”

Really, who am I to say otherwise? I thought.

We only visit this particular park once a year, in September or October, depending on what date the High Holy Days fall.

I won’t expound on the significance of these 10 days for those of you who aren’t Jewish, but I will share the custom of casting bread upon the water (tashlikh) as a symbol of one’s transgressions being disposed of. Unlike other religions, Jews don’t believe in original sin. Instead, we’re born pure, acquiring our indiscretions with age, intent, or ignorance along the way.

But, if we’re sincere in saying “I’m sorry” to those we’ve wronged, and have done good without expectation in return, and made an earnest effort to mend fences, the sin slate gets wiped clean on Yom Kippur, giving each of us another chance to get life right, and do it better.

The disclaimer appears in the setting of the sun, symbolizing the closing of the Book of Life, when even nonbelievers (secretly) want their names, and those of their loved ones inscribed therein — although no one learns who makes the cut until the High Holy Days roll around again the following year. (Because only those remaining in the here and now know if they were inscribed back in the then and there.)

For the record, I’m very disorganized about organized religion, to the point of anti-it.

But I do like everything about Rosh Hashanah and Yom Kippur, the culmination of 10 days of introspection, taking stock of one’s life, offering amends, being grateful for whatever cards have been dealt, making promises and looking forward while witnessing the sun sink behind the trees, or beneath the ocean, or into the hills.

Of course, I’m pulling for more than family and friends. I want my pets to be included in that Book of Life, too, and mercy shown for all the animals on earth. I want children to be protected, and hurts healed. I want every woman to fall in love with the person who has fallen in love with her. My list is long. I ask a lot. It takes me the full 10 days to catalog all the hope in my heart.

“Watch out,” we were warned by a couple dawdling nearby. “The flora and fauna police are on duty.”

I glance over at the retiree in khaki shirt and shorts, feeling powerful on his unpaid patrol.

“I’m prepared,” I assured them. “I filled my pocket with stale bread, pre-pulverized in my Cuisinart to melt any evidence upon impact. Would you like a some?”

They showed me their cut up crusts of kosher rye. “No thanks. We’re good.”

As the sun began its steady decline, I confidently hurled a handful of crumbs to flutter like tiny confetti into the water below — forgetting that the brass ring  containing the keys to the car, our home, my sister’s home, the metal license tags of our dogs, and a silver kitty charm carried for good luck was also in that pocket.

It went with.

“I’ll be,” she said, looking down at the unintended snack. “It is an alligator!”

~

To paraphrase a verse in a song from the original, Broadway cast album of The Unsinkable Molly Brown: Your prayer was answered, the answer was ‘no’ — She heard you all right.

Most of you who follow this blog, or my Facebook page know that I lost my kid sister in May, 10 weeks after she was first diagnosed with everywhere-cancer.

What I haven’t shared as much is, in that brief period (and since) I also lost both of my dogs, Buzzbee and Sparky, and a Russian Blue, tamed-to-my-touch, feral cat, Sneaky, twin brother to Pete. And, my car bit the dust.

When the last loss happened, I recalled the words attributed to Virginia Woolf upon being asked by her niece why the bird she’d found had to die. Woolf answered, “To make us appreciate life more.”

I’m not sure I concur. I don’t think I could appreciate life any more than I do.  My gratitude is fierce and deep and never falters — even when the answer is, indeed, ‘no’.

Because I see, and hear, and recognize the loss most others endure, daily, is so much greater than my own; the worldwide despair and hunger of millions in the dark of every night, the destruction of homes by flood and fire, the assault on nature by ignorance and greed, the ongoing slaughter of innocent and innocence, the intentional harm inflicted on the undeserving.

It doesn’t lessen the depth of loss I feel, but it does lessen the length of time I spend, struggling.

The High Holy Days come earlier this year and I’m on tenterhooks about it, to the point of being mindful of the fact that the ritual of tashlikh is to happen on the second day of Rosh Hashanah, not on Yom Kippur as I’ve always chosen to observe it.

We’ll be returning to the man-made lake, regardless — this time with an entire loaf of challah for the alligator.

We hope it was written into the Book of Life.

We hope we all were.

#     #     #

by Marguerite Quantaine Copyright © 2015

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Marguerite Quantaine is an essayist and author.
Her book, Imogene’s Eloise : Inspired by a true-love story
is available on AMAZON, in paperback , and on Kindle.
.

“… crisp…clever…unique…saucy humor…delicious writing…fabulous…funny…historically accurate…genius debut… This will be a classic; buy it now. 

SHE Magazine Reviews IMOGENE’S ELOISE: Inspired by a true-love story.

IT’S ALL ABOUT HOW WE LOVE

Love Post2

How we find and lose love. How we hide and expose love.
How we seek and defeat love. How we suffer and celebrate love.
How we record and remember love. How we inspire and discourage love.

How we resist and grant love. How we legalize and criminalize love.
How we categorize and codify love. How we respect and disdain love.
How we treat and mistreat love. How we fund and squander love.
How we laugh and cry over love. How we accept and reject love.

How we name and number love. How we facilitate and foil love.
How we sense and ignore love. How we affirm and deny love.

How we use and abuse love. How we buy and sell love.
How we settle for love. How we treasure love.
How we let love go.

From Chapter 1 to Chapter 72, 
that’s all this novel is about:
the phenomena of love,
with 67 memorable LGBT characters,
Including you.

Because you are in this book,
as the person you were, are, or wish you’d been,
with people you know, knew, or wish you’d known,
all in the pursuit — and each
touched by the joy of
love.

~

IMOGENE’S ELOISE: Inspired by a true-love story
by Marguerite Quantaine
383 Pages
.
37 Spectacular reviews
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NOW ON AMAZON
at the Kindle nearest you.
Also available in paperback.
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A Great Gift Idea For Birthdays • Anniversaries • Showers • Weddings • Chanukah • Christmas • & Self   

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